Overall, I think Painter 2016 is fantastic. Don’t pick a complex portrait as your first painting: Start small and work your way up from there. If you’re going to work on portraits, you will likely feel more encouraged if you start simple. I had fun experimenting with the Sargent brush and palette knife. To practice brush technique, I did a quick still life painting of a lime based on a photo I took. Consistency is particularly important if you plan to enter your work in the International Photographic Competition. For an extreme example, photorealistic eyes look out of place if the rest of the painting is impressionistic. Aim for a consistency of realism, textures, and brush technique throughout your image even though they may be applied to areas differently. You could fine tune for hours and still not feel done.
#COREL PAINTER BRUSH PACK HOW TO#
When you’re learning how to paint and finding your style, it’s tough to know when to stop. If you’ve ever done any shading and blending with traditional media like graphite or pastels, you’ll be familiar with this concept. Short strokes that circle around will produce a better blend. For obvious brush strokes in the final image, you can leave them as is or use the blending tools to smudge the colors. So for parts of your image needing more detail or with greater tonal ranges, use shorter, stippled strokes. It’s important to keep in mind that a longer brush stroke will pull original color and tone through to areas that might not have originally had that color.
I also tested the Hair Set pack ($29.99), which includes 15 brushes, and I found the textures and varieties to be impressive.Īrmed with this combination of brushes, I filled in rough strokes on the face and hair. Just hover over a brush, and the bottom of the toolbar displays what the brush looks like and how the brush stroke renders. I found that these brushes took the guesswork out of getting started. It has brushes for painting background, skin, hair, and the like. The Photo Portrait pack ($29.99) is a new add-on of 15 brushes that streamline the photo painting process. If the color picker shows shades of gray, Painter pulls the color data from the source image if it shows various colors, you can manually select the color for your brush. It’s a simple matter of clicking the clone stamp icon in the color picker. Unlike Photoshop’s clone tools, which are very limited, Painter 2016 allows many of its standard brushes to be turned into cloners. When you want to add your own hand brushwork to an image, you can use the clone source tab in conjunction with cloning tools. If you don’t like it, just clear the canvas and adjust your Auto-Paint settings. The final painting may or may not be what you envisioned, so many artists use it as a starting point for further refining such as bringing out the details in the face. The process begins with big brush strokes and progresses down to smaller sized brushes.
(You can also stop it intentionally at any time.) Just don’t click away to another window or do any other editing elsewhere because the Auto-Painting will stop. In the Auto-Painting panel, select Smart Stroke Painting and Smart Settings, then click play, which lets Painter 2016 determine all the settings and creates a finished painting quickly. You can switch source files at any point while editing, which I’ve done to pull in different colors for the background and foreground the possibilities are endless. Click the floppy disk icon with an arrow in the bottom left corner to define the source file. To begin the Auto-Painting process, define the source image from the Clone Source panel. To bump up the saturation, change the contrast, or make general adjustments to your image before painting, you can use the Underpainting panel, or just make the adjustments in Photoshop prior to importing the image. In the auto-painting panels I primarily used Underpainting, Auto-Painting, and Clone Source. I prepared my source image by bumping up the color saturation and simplifying the background by removing a chair.
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